　　Nipple-targeting seagulls. Old men rapping in a bathhouse. Drugs smuggled as Italian pasta. Welcome back to The Mole Song’s world. The third and final part of this series of manga adaptations, by IFFR regular Miike Takashi, is once again loaded with delicious madness.　　Following Undercover Agent Reiji (IFFR 2014) and Hong Kong Capriccio (IFFR 2017), this time the enemy are Italian mafia smuggling their ‘speed-a-roni’ into Yokohama’s port. Yakuza boss Papilon, fearing for his business, wants to stop them from entering, and so do the Japanese cops: Reiji works for both as an undercover agent. All these complications this give cult director Miike a playground for crazed subplots.　　At times fooling us into thinking it’s an ordinary action thriller, The Mole Song: Final is a cocktail that smashes together slapstick comedy, farcical fantasy and puppet animation, with Reiji – played again by the energetic and engaging Ikuta Toma - always at the centre of the tornado that just keeps on spinning.

爬坡人生

　　風景優美的山間公路，氣喘吁吁的凱爾，一邊奮力踩著自行車，一邊感謝死黨麥可貼心在他婚前安排這趟旅程。「我和你未婚妻上床了。」麥可突如其來的坦誠，讓上氣不接下氣的凱爾破口大罵，還得注意控制呼吸，好追趕上去痛扁他一頓。　　導演麥可偕同好友凱爾合力編寫劇本，并親身上陣飾演這對相愛相殺的難兄難弟。從八分鐘一鏡到底的同名短片延伸而成，坎城首映后掌聲如雷，不僅奪下評審團「怦然心動」獎，高明的場面調度與出眾的幽默感，也獲得〈綜藝〉、〈好萊塢報導〉齊聲讚譽。一針見血的men’s talk，垃圾話無下限，保證讓男性觀眾看了會心大笑，賤有戚戚焉。

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