即刻觀影
劇情賞析
編輯推薦
兩只老虎1985
泰迪·羅賓,潘迎紫,小彬彬,徐克,許圣武,丁曉慧,于守仁,馬場,張媛婷億萬富翁范進賓（徐克 飾）的兒子和兒媳在一場車禍中雙雙身亡，只留下可憐的孫子小寶貝（溫兆宇 飾）陪在身旁，范因此對孫子格外關愛，養成了他任性驕傲的壞毛病。新來的家庭女教師瑪麗（潘迎紫 飾）與小寶貝一番大戰之后，成為了親密無間的好朋友。 范的侄子（許圣武 飾）貪婪兇狠，為謀奪財產不惜整死叔父。然而卻發現遺囑中已規定小寶貝成為億萬家財的唯一繼承人。唯恐遭到毒手，小寶貝逃出家門。表叔的爪牙們陰差陽錯將與小寶貝長的一模一樣的彬彬（溫兆宇 飾）及其叔叔泰迪（泰迪羅賓 飾）抓了回來。由此引發一連串爆笑刺激的精彩好戲……
獵狐·行動
段奕宏,梁朝偉,夏侯云姍,張傲月,奧利維爾·雷堡汀,歐嘉·柯瑞蘭寇,何塞·加西亞,張志堅,白志迪,奚美娟,巫剛,任正斌,富揚恩,成曉星,維克多·彭泰科沃,艾瑞克·艾伯納尼外逃7年的上海特大金融詐騙犯戴逸宸（梁朝偉 飾）現身法國巴黎，中國經偵警察葉鈞（段奕宏 飾）帶領“獵狐小隊”跨國追贓。昔日老賴憑借國內騙取的百億贓款躋身海外上流社會，上萬百姓畢生積蓄盡毀，家破人亡……黑錢流向成謎，街頭追殺、人體炸彈、惡徒設局圍剿，步步緊逼！當獵手淪為獵物，獵狐小隊能否逆風翻盤？
春閨風月
艾琳·鄧恩,加里·格蘭特,拉爾夫·貝拉米,亞歷山大·達西,塞茜爾·坎寧安,莫莉·拉蒙特,喬伊斯·康普頓,羅伯特·沃里克,瑪麗·福布斯,Esther Dale,Robert Allen故事發生在車水馬龍的大都市紐約，杰瑞（加里·格蘭特 Cary Grant 飾）和露西（艾琳·鄧恩 Irene Dunne 飾）是一對感情十分要好的夫妻，兩人時常結伴出入上流人士所舉辦的高端晚宴之中，生活極盡奢華，但隨著時間的推移，這表面幸福的婚姻生活終究還是出現了裂痕，杰瑞和露西決定離婚。在兩人分開之后，杰瑞邂逅了富有而又美麗的遺孀芭芭拉（莫莉·拉蒙特 Molly Lamont 飾），露西則傍上了石油大亨丹尼爾（拉爾夫·貝拉米 Ralph Bellamy 飾），可尋找到了各自幸福的兩人卻并不能相安無事，正相反，他們開始想方設法的破壞和阻撓對方的情感關系，就此引出了一系列荒誕可笑的意外。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
怪醫杜立德3
Ryan McDonell,Chenier Hundal杜立德的女兒瑪雅杜立德（凱拉·帕特飾）已經長大成人，到了青春期，母親將她送往道奇農場度過夏天，她在農場里遇到了許多新的伙伴，他們從互相排擠到最后相互幫助并共同努力在比賽中勝過了銀矩農場，當然其中還要多虧了瑪雅的動物伙伴們。
街上流行紅裙子
趙靜,姜黎黎,宋憶寧,郭碧川,葛存壯,賀小書,邵慧芳,汪寶生,格根·齊木格,李偉華,常玉芳,宋麗捷,奇夢石,朱玉雯,宮喜斌,李莉進入了20世紀80年代，改革春風吹散了十年浩劫在老百姓心頭留下的陰云，人民的生活得到改善，愛美的女孩子們也勇敢地穿上亮眼的裙子，一展少女的柔美。在上海大豐棉紡廠工作的鄉下女孩阿香（宋憶寧 飾）羨慕上海女孩們比賽穿漂亮裙子的風氣，也買了一件紅裙子，隨后讓勞模陶星兒（趙靜 飾）穿著紅裙子去公園展示。這一經歷給了陶星兒前所未有的自信，在此后的歲月里，無論是學業、事業還是愛情，種種經歷都讓她不知不覺改掉舊有的陳腐的觀念，轉而在新時代里勇敢地追尋自我。與此同時，阿香因為不愿被人看做鄉下人，所以想方設法抬高自己的地位，卻讓自己陷入經濟的泥潭。愛美的女孩們，她們正一步步擺脫束縛，擁抱真善美……