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上帝是嗎？
卡拉·楊,馬洛里·約翰遜,加奈兒·夢奈,斯特林·K·布朗,薇薇卡·福克斯,麥凱爾泰·威廉遜,埃里卡·亞歷山大,澤維爾·米爾斯,Xavier Nealy-Davis,Christina Spencer,喬賽亞·克羅斯 ,莉娜·克拉克,Justen Ross,朗達·約翰遜·鄧茨,Mark Druhet,Alisha 'LeeLah' Moore,Andreius 'Dreko Tha Prophet' Moore聚焦一對身上有燒傷疤痕的姐妹，她們被病床上的母親要求去殺掉父親——是他虐待妻女，把她們燒傷。兩人因此踏上了一場奇特的旅程，是復仇，還是寬恕？
等你歸來2025
張芯寧 杜鶴十二歲的海日被媽媽帶到內蒙古大草原，偷偷把海日放在牧民阿敏爺爺家不辭而別。小男孩海日突然闖入牧民阿敏爺爺的生活，讓他很不適應的同時，又勾起了他對以往生活的留戀。他與海日在一起的生活中，矛盾和摩擦頻頻出現，同時二人又相互被彼此感動。
警察與外星人
路易·德·菲奈斯,米歇爾·加拉布呂,莫里斯里什,朗貝爾·維爾森圣·特魯佩斯城來了一些外星人。他們進而化裝成平民。時而冒充警察了解人類的生活。當地警察負責搜捕。但外星人變化無窮，神秘莫測，層出不窮的誤會和笑話把警察們搞得狼狽不堪。在一次交鋒中，警察意外發現外星人怕水，于是，巧使計謀，使用水攻……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
試鏡109
正宇,鄭秀晶《風愿》的續集。
波特斯維爾
克里斯蒂娜·亨德里克斯,伊恩·麥柯肖恩,朗·普爾曼,朱迪·格雷爾,邁克爾·珊農獨立制作喜劇片《波特斯維爾》(Pottersville，暫譯)殺青。電影由塞思·漢里克森執導，丹·梅爾編劇，邁克爾·珊農、托馬斯·列農主演。故事發在小鎮波特斯維爾，劇情涉及到旅游業和電視真人秀背后的諸多內幕。朗·普爾曼、伊恩·麥柯肖恩也出演了該片。電影分別在紐約市中心和漢密爾頓郊區取景。