劇情簡介
為你推薦
消失的證據(jù)
鄭媛元,王帥,高迦瀾妹妹石晗離奇“自殺”，疑點(diǎn)重重。姐姐石嵐毅然踏上追兇之路，她孤身對(duì)抗惡勢(shì)力，艱難收集證據(jù)，最終在絕境中完成復(fù)仇，將施暴者一一繩之以法。影片不僅是一場(chǎng)酣暢淋漓的罪案追兇，更深刻揭露了人性之暗與正義的重量。
網(wǎng)紅女友
Karina Razner,Olga Kalicka,Joanna Koroniewska,馬太烏茲·巴納斯烏克,Rafal Królikowski網(wǎng)壇新星Zosia，綽號(hào)Just Sophie，發(fā)現(xiàn)她的男朋友，流行的YouTuber Komfi有外遇。當(dāng)背叛曝光，普德萊克被揭露時(shí)，女孩決定接受深受網(wǎng)友喜愛的維奧拉的邀請(qǐng)，和她一起去國外旅行，以獲得贊助商的錢。Zosia訪問了塞浦路斯、伊維薩島、馬耳他、希臘和意大利的獨(dú)家度假村，為粉絲的影響力和關(guān)注而戰(zhàn)，加入了波蘭影響者的精英行列。不幸的是，當(dāng)她的前男友與性感的健身博主寶拉有染時(shí)，她與前男友的愛情丑聞變得越來越大，維奧拉的黑暗過去又回來困擾著她。當(dāng)有趣的細(xì)節(jié)和隱藏的秘密浮出水面時(shí)，Zosia將面臨一個(gè)難以接受的事實(shí)，即她如此渴望屬于的環(huán)境。
阿曼達(dá)與小狐貍
理查德·卡恩,杰森·倫敦,Elizabeth Foster,克里斯汀·梅利安,Stella Shoha,理查德·戈特里,邁克爾·米利,科琳·詹特里,Ken Alter,Leslie McCurdy,Sherryl Despres,Carrie Foster,Hobart Reynolds,Joel Paul Reisig,Paris Jones,約書亞·雷·貝爾,卡爾霍恩·科尼格10歲的亞曼達(dá)很想養(yǎng)狗，父親卻不允許。某天她發(fā)現(xiàn)一隻小狐貍，於是和好友瑪姬決定偷偷將牠當(dāng)作寵物飼養(yǎng)，卻不知道麻煩即將到來… Ten year old Amanda desperately wants a dog but her Dad won't have it. When she finds a young fox, she and her friend Maggie conspire to keep it as a pet. Little do they know the trouble awaits as the fox is pursued by a pair of shady, bumbling Russians with an ulterior motive.
彭大將軍
丁笑宜,古月,劉懷正,柴云清,王天鵬,黃中秋,谷永成,劉占坤,曹建中,浮學(xué)杰,謝志誠,毛玉文,張晏,李萬年,袁進(jìn),鄧茜,孫飛虎,孫達(dá)生,徐秋成,水天達(dá),郭達(dá)影片以彭德懷同志在“文革”前和文革剛開始的經(jīng)歷為主體，不斷穿插閃回各種歷史片斷，用傳記片的手法反映了他富有傳奇色彩的一生，使觀眾對(duì)他光明磊落、胸懷坦蕩、剛正不阿德個(gè)性和雄才大略有了一個(gè)全面直觀的認(rèn)識(shí)。影片從歷史的真實(shí)面貌出發(fā)，并沒有將主人公神化，而是將一個(gè)有血有肉可親可敬的領(lǐng)袖人物全面的展現(xiàn)出來。影片熱情地贊揚(yáng)了彭總的赫赫戰(zhàn)功，謳歌了彭總剛正不阿、直言敢諫、堅(jiān)持真理、不畏權(quán)勢(shì)的精神。相比較其他開過元帥，彭德懷的耿直和心胸是永存于歷史的。歷史，是不會(huì)磨滅他的功勞。人民，不會(huì)忘記他的功勞。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
季風(fēng)與海洋之聲
馮軍,李一行北漂音樂人高暢在事業(yè)低谷時(shí)，得知母親姜衛(wèi)華因健忘癥引發(fā)事故，被迫回到家鄉(xiāng)平潭。曾經(jīng)嚴(yán)厲的母親如今脆弱固執(zhí)，卻仍執(zhí)著于帶領(lǐng)學(xué)校合唱團(tuán)。高暢從抗拒到理解，決定幫母親重組合唱團(tuán)，并在過程中重新發(fā)現(xiàn)音樂與親情的意義。
心碎俱樂部
Dede Satria,Denira Wiraguna,Emil KusumoThe journey of a "sobat ambyar" who is very passionate about Didi Kempot.