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世界計(jì)劃：無法歌唱的初音未來
藤田咲,下田麻美,淺川悠,拜鄉(xiāng)芽衣子,風(fēng)雅直人,野口瑠璃子,磯部花凜,上田麗奈,中島由貴,小倉唯,吉岡茉祐,降幡愛,本泉莉奈,秋奈,鷲見友美Jiena,今井文也,伊東健人,廣瀨大介,木野日菜,齊藤真知子,土岐隼一,楠木燈,田邊留依,鈴木實(shí)里,佐藤日向故事發(fā)生在以音樂為中心、次文化興盛的澀谷，與能映射出人們內(nèi)心“真正的心愿”的「世界」中。某天，一直用音樂給人們帶去力量的虛擬歌手初音未來，發(fā)現(xiàn)自己的歌聲無論怎樣都無法傳達(dá)出去……而一群在「世界」中追尋音樂夢想的少年少女們與初音未來相遇，共同尋找著可以讓初音未來“將歌聲傳達(dá)出去”的方法。
俠盜之星
納塔溫·崴唐緹派特,威思露·和藍(lán),素帕莎拉·塔納查,Joke Akarin Akaranithimetrad20世紀(jì)80年代的曼谷，一名堅(jiān)定的偵探正竭盡全力追捕一伙臭名昭著的盜賊，他們的友誼同時(shí)面臨著重大考驗(yàn)。
束手無策
雷·阿布魯佐,馬克·本達(dá)維德,Susan Hogan,鄭肯,杰姬·托恩,博·布里奇斯,凱絲琳·蒙露布魯諾仍在哀悼妻子的去世，他絕望地依戀著他們一起建造的海邊小屋。當(dāng)他被沒有情感的姻親驅(qū)逐時(shí)，布魯諾發(fā)誓要不惜任何代價(jià)把它奪回。為了逃避父母親神經(jīng)質(zhì)的關(guān)切，他制定了一個(gè)冒險(xiǎn)的計(jì)劃來恢復(fù)他的家。喬裝成勤雜工改變了他的生活。
怨泊
何超儀,高橋和也,白川和子,周俊偉東京，一個(gè)世界知名的大城市。 Sarah (何超儀 飾) 與男友分手后，來到此地欲求購買房生產(chǎn)，并度過一個(gè)短暫而寧靜的假期，但一切事與愿違。由于美國總統(tǒng)的突然到訪東京，原定的酒店已滿。 房地產(chǎn)公司將她安置在一座非常破舊廢棄令人毛骨悚然的私人民宿 “minipaku” 中 ，當(dāng)Sarah入住時(shí)，她發(fā)現(xiàn)它是由一位老婦人（白川和子 飾）經(jīng)營的。她在那里的第一個(gè)晚上感到十分不安和可怕，噩夢連連，并且病了起來，只能被迫留下來，更令她意外地發(fā)現(xiàn)了一具正在被寄生蟲吞噬的完整骨骼。警察局的高級(jí)警司（高橋和也 飾）接手調(diào)查，也發(fā)現(xiàn)這家民宿牽涉多宗連環(huán)離奇失蹤案件，怪事連連，警司也未能為Sarah破解。 這座有著非常神秘力量和不明歷史的房子，與Sarah有著某種聯(lián)系。當(dāng) “minpaku” 的燈熄滅時(shí)，可怕而令人不安的景象籠罩著她，它們變得越來越真實(shí)。一場又一場可怕而離奇的噩夢，令人不知道這是開始還是結(jié)束，似乎一切都是安排好的。
嗨，媽媽！
羅伯特·德尼羅,查爾斯·德恩,詹妮弗·紹特In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment
烏龜?shù)臍て鋵?shí)是肋骨
清水尋也,磯村勇斗,江口拓也,上國料萌衣,野津山幸宏,天月,栗田航兵,四谷真佑,坂本慶介,高谷進(jìn)之助,伊藤節(jié)生,近藤浩德,宮本淳川崎悟司による原作は「もし人間が動(dòng)物の骨格を持っていたら？」という形で、カメの甲羅をはじめ動(dòng)物たちの體の仕組みを解説した動(dòng)物図鑑。映畫ではスクールカーストの底辺で冴えない日々を送る高校2年生?カメ田カメ郎の葛藤と成長の物語がつづられる。
百燭游戲2
Magui Bravi,Nacho Francavilla,Josefina Fari?aA team of influencer bloggers decides to hold a ritual at the mansion of the "black countess". A fan of the supernatural, she disappeared without a trace after she was offered to play a game that was supposed to take her to another dimension. By evoking the spirit of the Countess, bloggers let otherworldly forces into the world. The one who can bring the demons back will survive.