金手指2021

英雄無淚1980

傅聲,爾冬升,趙雅芝,谷峰,岳華,白彪

　　蕭大師鑄成了大名鼎鼎的“淚痕劍”，卻也知道這把劍未來會在江湖之上掀起腥風(fēng)血雨，不僅如此，蕭大師還得知自己的孩子將會死在這把劍下。為了避免事端，蕭大師將淚痕劍交給弟子保管，幾經(jīng)輾轉(zhuǎn)，淚痕劍最終到了小高（傅聲 飾）的手上。　　帶著這把劍，小高被卷入了長安大鏢局和洛陽雄獅堂的爭斗之中，雄獅堂的叛徒楊堅被神秘人蕭淚血（岳華 飾）殺死，但也正是這名神秘的男子，三番五次的救下小高的性命。原來，蕭血淚的真實身份是蕭大師的兒子，為了避免淚痕劍的詛咒成真，蕭血淚一直在尋找著弟弟。就在線索全部落空之際，大鏢局的二把手卓東來（爾冬升 飾）現(xiàn)身搶走了淚痕劍。

風(fēng)流刺客

陳虎,朱佳希,杜馮欣怡

　　網(wǎng)絡(luò)大電影《風(fēng)流刺客》是一部由陳泳旭編劇、焦洋導(dǎo)演的電影作品，影片主要講述了職業(yè)殺手林虎追殺周二，在云嶺遇到被王府追殺的沈蓉，二人誤認周二為恩人，林虎還立下殺契，結(jié)果反復(fù)遭到暗算。好在追殺勢力到來時，幾人協(xié)力戰(zhàn)勝對方，并結(jié)下深情厚誼。最終林虎和沈蓉走到一起，周二也找到了活路。

女兵圓舞曲

王麗云,傅藝偉,郝鐵男,吳莉婕,張利平,朱琛,董炳舜,張永強,湯志江,宋永坤,趙芬

 某部救護長紀嫻和軍醫(yī)林瑛接到電報去江城，在列車上，她們回憶起戰(zhàn)時的情景……前方已經(jīng)打響了，可"三八"女子救護隊卻被師后勤部程副部長派出的崗哨關(guān)在山溝里不準進入戰(zhàn)區(qū)進行救護，這可急壞了女兵們。副軍長的女兒潘凡凡敢想敢做，出了一條妙計，她領(lǐng)著女兵們脫掉外衣，裝作去洗澡，嚇得小哨兵背過臉去，她們趁機沖過崗哨，這樣，她們截回來一卡車傷員。女兵們的求戰(zhàn)熱情感動了程副部長，師首長的批評也使他改變了怕出事的思想，終于批準了女兵們的要求，并親自為她們送行。女子戰(zhàn)地救護隊向前沿進發(fā)了。林瑛這時也沉湎在回憶之中。她的父親是大學(xué)教授，出于門第觀念極力反對她與解放軍排長許杰相愛，她違心地和許杰分手了。這次在前沿她意外地遇到了許杰，聽到他充滿柔情地給戰(zhàn)士們讀女友的情書，她為許杰的幸福心中感到一絲寬慰。當(dāng)許杰帶領(lǐng)全排沖鋒時受傷犧牲后，林瑛在他的口袋中翻到了那封未婚妻了來信，原來是一封絕交信，而許杰剛才念給戰(zhàn)友們的，是為了鼓舞大家士氣而編出來的話語。火車到達江城，紀嫻和林瑛按照地址來到一幢新居，等待她們的原來是戰(zhàn)友潘凡凡。她要戰(zhàn)友們來參加她的婚禮。那么新郎是誰呢？她們都猜想新郎是那次"搶"回來的傷員羅小丹，凡凡卻說出來另一個她們沒想到的人。凡凡提起讓人難忘的928洼地，在戰(zhàn)地臨時包扎所附近，紀嫻正領(lǐng)著輕傷員們阻擊敵人，包扎所里，手術(shù)正在緊張地進行著，血肉模糊、生命垂危的羅小丹被抬下來急需搶救，這時何亞男已身負重傷，她咬緊牙關(guān)為羅小丹包扎，手術(shù)完成，羅小丹脫離了危險，何亞男卻因失血過多，無聲無息地倒下了再也沒有醒過來。潘凡凡為她的英雄行為所感動，覺得自己過去不該那樣對待她。凡凡想說服羅小丹，自己去和亞男的丈夫及母親組織家庭，父親潘副軍長及母親說服不了任性的女兒，凡凡硬是發(fā)出一封封電報，真的要一廂情愿她嫁到何家去，還是紀嫻幾個姐妹把她勸住了，凡凡冷靜了下來并取得了羅小丹的諒解。救護員田花要走向新的崗位，林瑛也準備攻讀大學(xué)課程。紀嫻看到戰(zhàn)友們紛紛走向新的生活，心中充滿了無限欣尉。

喜劇 愛妻物語

濱田岳,水川麻美,新津知世,夏帆,大久保佳代子,光石研,布施繪里

　　他是一位苦苦掙扎的編劇，每天無精打采地看著自己對工作的一切希望都被那些他無法控制的力量摧毀。她是他精明且嗜酒的老婆和負責(zé)養(yǎng)家糊口的人，同時對他充滿了各種各樣的不滿。這就是——柳田夫婦，兩人結(jié)婚十年，有一個可愛的女兒。妻子千佳在打工掙錢的同時還要兼顧家庭生活，十年如一日的狀態(tài)讓她感到身心俱疲。生活重壓之下，她除了不斷的抱怨豪太的無所作為之外其實也沒有任何解決方案。夫妻關(guān)系也因為他始終無法兌現(xiàn)的“天賦”而一步步陷入困境。

校花駕到2蜜桃時代

文卓,范薇,石靖怡,李玲

　　艾美麗（范薇 飾）雖然生來五音不全，但是懷揣著遠大的音樂夢想，在走進大學(xué)的校門之后，她做出了一個讓所有人都意想不到的決定，那就是組建一支樂隊。可是，就憑借艾美麗的唱功，該如何駕馭的了樂隊主唱這一位置呢？　　很快，樂隊就招到了新的成員。個性大大咧咧宛如男孩子一般的蘇米（石靖怡 飾）、個性火爆舉止粗暴的拳擊女漢子吳一萌（李玲 飾），讓艾美麗沒有想到的是，自己一直以來暗戀的夢中情人文卓（文卓 飾）竟然也加入了樂隊。這四人的志向非常的遠大，那就是參加全國校園音樂大賽，在比賽中拔得頭籌。

青春的味道

李三馬,張雨函,張?zhí)煅?代瑄

該片通過員曼、郝一點男女同學(xué)友好交往，最后老師消除“早戀”誤解，以及賈帥、武翩翩戀愛翻車的故事，闡述了異性同學(xué)彼此欽慕，是人類賦予他們的權(quán)利；互相幫助，是社會主義道德情懷；不早戀，是堅持對自己、家人和學(xué)校的一份責(zé)任。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.