年輕母親2

　　高速路上的巡警們每天的職責(zé)，除了抓偷車賊和對超速車輛進(jìn)行追捕罰款之外，還有很多更多的樂趣。如今，在加州早已聞名的高速巡警弗蘭克（邁克爾·佩納飾）不僅是個脾氣火爆辦案也火爆的家伙，更有一身讓領(lǐng)導(dǎo)難以容忍的壞脾氣，但同行們卻送給他“郵袋”的綽號，意思是他總能及時解決大麻煩，不過也會給別人惹下大麻煩。與此同時，另一個叫貝克（戴克斯·夏普德飾）的巡警同樣飽受爭議，不僅行事高調(diào)、滿嘴的限制級語言，連脾氣也和弗蘭克很像。但兩人辦起案來卻相當(dāng)?shù)耐度牒捅M責(zé)。如今，兩人被安排為新搭檔。車技了得的他們在改裝高手的幫助下，也開啟了加州高速路上的大抓捕……

　　光怪陸離的騙錢現(xiàn)象已經(jīng)滲透在社會的上上下下方方面面，一群劫匪在公眾場合假借拍戲瞞過圍觀路人而打劫成功······

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　知名電影評論網(wǎng)紅古馬木一直在網(wǎng)上做評論為大家排雷，這次他化身AI人工智能潛入電影世界，評論最新爛片《人魚愛上我》主創(chuàng)背後的真實故事?　　潦倒編劇樂與母相依為命，偶爾在網(wǎng)上認(rèn)識十分欣賞樂作品的神秘少女，樂以為覓得「真愛」並為之直奔海島，既為愛情亦為拍檔強介紹的工作。然而「真愛」不出現(xiàn)，編劇工作同樣受挫，投資方堅持改編翻拍了無數(shù)次的童話故事美人魚，本應(yīng)失落的樂卻莫名其妙與民宿老闆娘文漸行漸近。原來樂網(wǎng)戀的「真愛」就是懷春熟女文！文受前夫情傷，年歲漸長的她越發(fā)不自信才在網(wǎng)絡(luò)上尋求心靈慰藉！　　文自從交上了樂這個網(wǎng)友之後，缺乏自信的她被樂的主動跟甜言蜜語治癒了不少。而樂在文的帶領(lǐng)之下也找到了寫作的靈感，樂忽發(fā)其想，邀請文一同合編美人魚的故事，正當(dāng)劇本寫完之時，樂的母親突然病倒，樂心痛至極同時亦發(fā)現(xiàn)文就是當(dāng)初自己網(wǎng)戀的少女，樂接受不了，拋下狠話，文亦傷心離去，兩人從此再無聯(lián)繫。　　樂在醫(yī)院陪母親走到生命的盡頭，在見證母親跟多年不見的父親一笑泯恩仇，樂明白世界的情感縱使起源於謊言，但結(jié)局也能如童話般美好，樂與文這段疑幻似真的情感，究竟過無數(shù)電影的古馬木能否猜到這故事的結(jié)局？