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亂馬12：中國昆侖大決戰！破壞計劃之激斗篇！！
山口勝平,林原惠美,日高范子,鹽澤兼人,玉川紗己子,大林隆介,緒方賢一,高山南,井上喜久子,鈴置洋孝,井上和彥,鶴弘美,山田榮子,松井菜櫻子,山寺宏一,佐久間玲,關俊彥,島津冴子,吉村傭,子安武人,真殿光昭,石田彰,永井一郎,麻生美代子又是一個平靜的日子，內褲愛好者八寶齋（永井一郎 飾）四面出擊，惹得亂馬（山口勝平 飾）、小茜、良牙（山寺宏一 飾）、珊璞（佐久間レイ 飾）等人紛紛加入進來，在鎮上惹出巨大的騷動。正當眾人鬧得不可開交之時，一頭裹挾著黑色殺氣的大象突然襲來。它和美麗的主人向八寶齋發起攻擊。與此同時，天空陰云密布，一艘巨船出現在空中。他們是來自中國內地寢昆侖的七福道神，這群神秘之人不僅搶走騎象少女帶來的奧義經卷，還虜走了小茜。亂馬一眾不堪就范，決定啟程前往中國……本片根據高橋留美子的漫畫《亂馬1/2》改編，系該動畫的劇場版第一部。
記憶中的風琴
全度妍,李炳憲,李美妍康俞（全度妍飾）是個活潑俏皮的山村女孩，在情竇初開的年紀碰上了從漢城而來的金老師（李秉憲飾）。她暗戀著金老師，籍著日記訴說著對老師的傾慕。但在金老師眼里，她只是一個羞澀的女孩。 康俞戀著金老師，而金老師卻又單戀著同是從城市中來，漂亮大方的楊老師（李美妍飾）。命運在三個人身上開了一個不大不小的善意玩笑，康俞甚至對楊老師老師總是充滿著毫無由來的敵意。 后來，楊老師走了。之后，金老師也離開了小村莊。多年后，金老師的妻子在聽唱片，而它正是當年康俞相送的。
祥賭必贏
蔡卓妍,張繼聰,邱士縉,吳家忻,朱栢康,胡楓,楊偉倫,楊偲泳,洪嘉豪,麥子樂,林耀聲病態賭徒文菁（蔡卓妍 飾）跟討厭賭博的全守正（張繼聰 飾）閃婚后，參加戒賭治療班，卻難忍賭癮而被守正悉破，文菁搬返舊居決心戒賭，守正明白“同甘共苦”道理，決定與老婆共渡患難。 富二代賭神Ian（朱栢康 飾）對守正小時候讓他出丑一事一直耿耿于懷，決心報復。守正妹妹知盈（吳家忻 飾）和文菁弟弟文明（邱士縉 飾）被挾持在Ian開設的非法賭場，文菁為了營救二人，再次破戒，聯同守正與Ian展開終極一賭……
圣傳
伊倉一壽,速水獎,山口勝平,榊原良子Prophecy says that six warriors will end a brutal tyrant's rule. Swords clash as the battle between good and evil explodes!
搖晃之地
埃里克·羅伯茨,埃里克·尼爾森,艾拉·坎農一位有抱負的音樂家正在應對他最好的朋友的去世，當一位聲名狼藉的唱片公司高管意外訪問他的家鄉時，他找到了目標。
回應我
蘇菲·王爾德,阿里·麥卡錫,哈米什·菲利普斯,基特·埃爾哈特·布魯斯,薩拉·布羅肯莎,杰登·戴維森,桑尼·約翰遜,馬庫斯·約翰遜,基達安·澤勒克,詹姆斯·奧利弗,喬·伯德,杰特·加茲利,亞歷珊德拉·詹森,Dog,Helene Philippou,米蘭達·奧圖,佐伊·特雷克斯,克里斯·阿洛西奧,奧蒂斯·丹吉,利安娜·瓦爾斯曼,亞歷珊卓婭·斯蒂芬森,亞采克·科曼孤獨的少女米婭沉迷于通過陶瓷手召喚靈魂的刺激，但當她面對一個自稱是她死去母親的靈魂時，她釋放了一場超自然力量的瘟疫，并努力決定她可以信任誰，是選擇活著的人還是死者？
嗨，媽媽！
羅伯特·德尼羅,查爾斯·德恩,詹妮弗·紹特In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment